신기하군요..ㅡ.,ㅡ);; 모션 트래킹하는 제품이 새로 개발이 됐나봐요.. 아무것도 없이.. 표정을 잡아내다니..후덜덜하네요
http://features.cgsociety.org/story_custom.php?story_id=4848
Warner Brothers and Paramount commissioned DD to do a one shot test. In five weeks DD created Benjamin, worked out the tracking issues and put a CG head on a body. Everyone was happy, the film was greenlit. But now, DD had to make a character speak, hold up in a close-up, and handle several hundred shots of a character that would make the audience laugh and cry and carry the first 52 minutes of the film. Though the test had worked, it was not sufficient for the entire project. That method was limited to how Pitt looks today, but DD had to model and animate Pitt over a series of decades. | |
It must be said that several other VFX houses did a lot of other work for the Benjamin Button feature. Extensive Matte Painting work was tackled by the team at Matte World Digital; Greg Strause and his crew at Hydraulx did the Russian snow and the matte painting of scenes in Paris, New York and Russia, as well as head replacements for Cate Blanchett's dance performances and the CG elements for the baby Button. Asylum VFX handled the many scenes in the tugboat, and Lola VFX also worked on the 'youthening' effects, with supervision by Edson Williams. | |